I've realized one of my weaknesses as a writer, or rather I was given this criticism and I realized that it was right. I can't really write about feelings. This is possibly because I tend to ignore my own emotions at times because I feel I don't have time for them. I didn't do that when I was a teenager though, back then I wrote gawdawful poetry that wasn't so bad when I wrote it. I haven't written poetry in years, that part of me shut off after I had kids. That's sad, really. I think.
I can create stories. Storytelling is a craft and if you don't believe that it's probably because you've never read a good book before. I connect to my characters, and yet I am so mean to them sometimes. You should see the horrible shit I've done to Officer Green, but then Officer Green truly is the best character I've ever created only because I connect with him so well. Partially because he's me. He's more me than the me character in Golden Dawn ever was, and that is just flippin' odd.
David says it's because I'm not emo enough. I never cut in high school, I never cry about things, and I'm too damn sarcastic about life most of the time that I've just learned to deflect anything that hurts. He says it's because I don't understand my own body sometimes and what it's trying to tell me, like how I have difficulty bonding with my fetuses during pregnancy and how I don't cry when people die. Like I'm somehow defective.
Liz in Seattle says I'm too emotionally healthy. Something about artists on lithium never being able to paint very well or something. The bi polar crowd being some of the most creative individuals alive.
Steppy says it's because I don't hug people. He says that I radiate good feelings off of me, but I wont let anyone close enough to enjoy the warmth. He really said that, about radiation and warmth. I thought it was a little clever.
Sometimes I need help when writing a scene, like to gather information about technical stuff or how something works, but I never seem to research what something feels like, how that situation affected people emotionally. And now that I think about it, I might feel slightly pathetic spying on other people's feelings so that I can somehow squeeze them into my plot lines to make YOU, the reader, connect to my characters more.
That's not to say that I don't write about moods and how things affect the characters at all, because I do, I just don't do it well enough I guess you could say.
Liz in Seattle told me to rewrite my first sex scene in Bombshell, and after a few days to think about it I agreed. I made the scene kind of awkward and I did that sort of on purpose because Marina is sort of a stand-offish person, but I made it too awkward.
But you know what else? I've never, as an adult, had sex with another sexually experienced adult for the first time. I could talk to you about teenagers screwing, about all that young love kind of stuff, and marital sex, but when it comes to consenting adults- for their first time anyway- I just cant seem to get it right. That's why the second scene turned out so much better. I do lack experience though, and it's the price that I pay for not being a slut.
There's another thing. This book, Bombshell, is the closest thing I'll ever write to a mushy love story, because I'm not good at them. I mean it's not a romance novel because it's got too many god damned strippers in it and the main theme isn't the love story, but it's in there, and the parts that are in there I did try to refrain from making them into what they call "purple prose," for example lines like he pollinated her delicate flower or his stiff as a brick ram-rod. But as sort of an inside joke to myself I did do one romance novel classic move, and that was to make Graham's member unbelievably large. This is why I asked a long time ago if anyone has ever had sex with a man with an unbelievably large penis.
Now I didn't do this because it's "every girl's dream" or anything like that, I did it as sort of a play on...a tongue-in-cheek sort of...if you want a romance novel, here's your damn romance novel, and it's 11 1/2 inches long. I thought about taking it out, because I wasn't sure if people would get it. My first two test readers were male, and males reading love stories have different reactions than girls do. David's reaction to the King Cock was "wow, that's awesome and kind of funny." Steppy said it was the best part of the whole damn book because he said he saw right through it to what I was trying to do, which was of course exaggerate the scene a little as, like I said, an inside joke. It works on so many levels because some women will swoon, the people who read the "oh so cheesy romance novel" genre for the lulz will get their lulz, and men will like it on some level too in that it's not about hand holding and butterfly kisses and it's not about unrealistic porno sex. If a man wants to read a porn he picks up a magazine, not a book. The sex scenes in my book are meant to be the icing on the cake.
Oh, and Steppy's wife's reaction to El Grande Miembro Viril? "Eeeeeew! Gross! That's not real that people have them like that, is it?"
I get around writing about feelings by playing all of these little jokes and games with my stories and abusing my characters. I get around it by adding detail about color and smell and where someone's hands are. The problem, is that feelings are really important in a story, and sometimes I feel like I'm a robot trying to imitate what humans feel.
And I have to get better at it, for the sake of you, and for the sake of me.
They drove well over the speed limit as he took the turns of the mountain sometimes on two wheels, and she was a little bit scared at first, but she knew that Graham could handle a car at high speeds. She trusted his training, she trusted him. The cold wind blew on her and her skin burned and stung at first, but then just went numb as he drove faster. He didn’t say a word to her the entire time, but abruptly he pulled over and stopped on the side of the road in a turn out. He got out of the car and sat on the hood.
Carefully she got out and sat next to him, the metal hot and stinging beneath her freezing cold skin.
“Graham─”
“I loved you!” he yelled, and the sound echoed off of the hillsides. “God, I've never loved anyone the way that I loved you. I would have given you everything I had, every ounce of my soul and every fucking heartbeat if you had only let me in a little.” He trembled, whether it was from the cold or something else Marina wasn’t sure.
“I made a really big mistake Graham, and there isn't a second that went by since I made it that I didn’t regret it. I should have trusted you, I had no reason not to trust you, and I am sorry,” she said soulfully. “I realized when I left that I was leaving the best thing, the best person, to ever happen to me. I love you Graham, I love you!”
He said nothing as he stared at the ground, the random sticks and leaves that covered it, the shadows of them that the headlights cast.
“Do you still love me?” she asked softly.
“I don’t know,” he said. “I've been focusing so hard on nursing a hurt that I think it just felt better to hate you than to love you.”
Marina drew back from him.
“But I couldn’t hate you,” he continued. “So instead I sat and mourned you. I mourned you, Marina. I couldn’t wish that you and I had never happened because we did, and that week that we spent at my cabin was the happiest week of my life. I've never felt that before and I convinced myself that I would never feel it again. Then you called. Just when I thought I had pushed you out, you called, and the sound of your breath on the phone just, I don’t know...it just sparked something in me. And for once since you left I felt something other than pain. I think I felt hope. Hope instead of cope. I tore out of my house and drove like a maniac to get to you on pure adrenaline. I took the Eclipse because I knew that the Mazda didn’t go fast enough. To tell you the truth, the Eclipse didn’t even go fast enough, I just wanted to get to you. And as I was driving, it started hurting again, and I thought that maybe I shouldn’t have rushed to come get you after the way that you hurt me. But then I smelled your perfume, and you just took hold of me again.”
Marina shook her head. “I’m not wearing perfume, Graham.”
“Well then you smell really, really good,” he said as he got off of the hood and walked around back to the driver’s side. She followed him, and they stood together in the cold.
“So then what are we going to do?” she asked.
He looked at her standing there in the darkness, it was the first time that he had looked at her face since he picked her up, since he saw the light from the fire dancing on her face the night that she left, but he said nothing.
“What?” she finally asked.
“Your hair. I forgot how it shimmers in the moonlight.”
She reached a hand up to touch his cheek where a tear fell and he grabbed her hand and nuzzled it. Then he pulled her arm violently to bring her body to his, and he wrapped his arms around her tight. She laid her head against his chest and breathed in his scent. It was stronger than the faint smell that she had to inhale to get to on the shirt that he gave her off of his back, the shirt that she was wearing.
“Let’s get you home,” he said and walked around the car to open her door.
***chapter break***
They sat on either side of the couch facing each other, both of them with their knees pulled up under their chins and their arms wrapped around their legs.
“So do we start over?” she asked.
“We can’t. What happened happened and we can’t go back.”
“Then what do you suggest that we do? We can’t pick up where we left off, we left off on a really bad note.” He turned his head and rested it against his knees, looking at the cold dark fire place, which had been without a fire since the night that she left. “We can just be friends for a while,” she said.
“I don’t want that. I don’t want to be your friend,” he said as he stretched his legs out and looked at her again. “Come here.” His arms were open and she immediately crawled to him like a kitten. She pressed against his body and just let him hold her. He rested his chin on the top of her head and just stared silently out the window at the moonlit trees.
“I love you Graham,” she said.
“I love you too.”
The cabin was chilly but she was warm in his arms.
“Where did you go, Marina?” he asked after a long pause. “I didn’t look for you because I thought that you didn’t want to be found, but I never stopped wondering where you went.”
She sat up and looked at him. “I went on tour across the United States with a traveling burlesque group.”
He raised an eyebrow and a grin slowly came across his face. “That’s where you went?”
“This woman came to the club looking for me, the woman who runs the show. And she promised that we would make $500-$1,000 a night, no nudity, just dirty jokes and contortionist stuff. I met a girl who could breathe fire, Graham!”
“Fire breathing stripper, wow, that’s pretty cool,” he sighed. “All this time I thought you went back to your fiancé, and that I would never see you again.” He squeezed her tight.
“I was just stupid was all.”
“No Marina, you weren’t stupid, you were just misled. We need to get to the bottom of how all of this happened, and why that girl said all of those things.”
She looked up at him, “I know why, but can we just…can we just not talk about it tonight?”
“Do you promise to tell me tomorrow?”
“Am I staying the night?”
“Do you want to stay the night?”
“I don’t have my stuff, I left it at the club.”
“You’re wearing my shirt.”
They paused. She looked down at it. It was yellowed and dingy and hadn’t been washed in over a month.
“Is this the part where you ask for your shirt back?”
“Can I have my shirt back?”
She only looked at him as he reached out and lifted the shirt up, a raspberry colored bra covering her well-shaped breasts. He watched her hair fall as he pulled the shirt off of her head, and this time he did drink in her body like the men at the club. The little pistol charm gleamed in the faint light.
She stood up in front of him and turned to the side as he sat on the couch and slowly unbuttoned her short blue jean shorts. She arched her back as she pulled them down over her round ass, revealing that she was wearing a matching raspberry thong. She bent down to bring them to the floor, and touched her legs softly with her fingers as she slowly stood back up and looked at him seductively. Graham sat with his hands at his sides, his lips parted, his breath slow.
Shimmer ran her hands over her hips and up the sides of her thin body and stopped at her breasts. He watched her dainty fingers as they worked the hooks on the front of her bra, loosening them, revealing the beautiful curves that created her cleavage. She whipped the bra off and stood on the couch over him, a foot firmly planted on either side of him. She noticed how much easier that was to do barefoot than when she wore those awful nine inch heels! Shimmer lowered herself down onto his lap, and she felt him suck in his breath. Her hips moved in slow circles, gently rubbing against his pants with her bare skin. She stood again and all he could see was the front of her panties, and he took in her smell. The taste of her lingering in his mind, just as it had been since the last time that he placed his lips there.
She ran her fingertips gently over his shoulders, up his neck, and to his hair. She could feel him quake as she massaged his scalp with her fingernails gently, creating an unbearable tingling sensation.
Her legs were spread wide over him, and all he wanted to do was run his palms up and down the length of them, but for the sake of the no touch rule, he forced his hands to remain on the couch by her feet. She sat down on his lap again and bounced up and down on it, working every muscle in her legs and tilting her head back as she did so. Finally she took his hands and cupped them over her breasts.
“I thought there was a no touching rule,” he growled in elation.
“There is nothing that I wouldn’t let you do to me,” she said, and he grabbed her by the shoulders and forcefully laid her down on the couch next to him. She burned inside as his body covered hers and he kissed her at last.